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Viviane Sassen: Umbra, by Viviane Sassen
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This latest book by Viviane Sassen, one of the world's most acclaimed photographers, explores the concept of shadow in a series of stunning images. Based on an award-winning exhibition, Viviane Sassen's new book focuses on a common theme in her photographs: shadow. In this book she leads us through a series of thought-provoking
takes on the concept--shadow as metaphor for anxiety and
desire; as a symbol of both memory and hope for the future;
and as an evocation of imagination and illusion. Sassen's
work is renowned for its deft interplay between realism and
abstraction. Here that characteristic emerges in the dramatic
use of light, shadow and color, as well as the adroit cropping
of images and interventions on the prints. This lovely book
brilliantly accentuates Sassen's contrasting color schemes to
reinforce the idea of shadow creating an enthralling tactile and
visual experience.
- Sales Rank: #462463 in Books
- Published on: 2015-11-09
- Released on: 2015-11-09
- Original language: English
- Number of items: 1
- Dimensions: 14.68" h x .53" w x 9.20" l, .0 pounds
- Binding: Paperback
- 196 pages
About the Author
Viviane Sassen's work has been published in the New York Times Magazine, I-D, Purple, Dazed & Confused, Fantastic Man, Vogue, AnotherMagazine, Selfservice, and in many others. She is the author of Parasomnia, In and Out of Fashion, and Pikin Slee (all by Prestel). She lives in Amsterdam.
Most helpful customer reviews
0 of 0 people found the following review helpful.
subversive and beautiful. hard to describe.
By martin fritter
Umbra is printed on both coated and uncoated semi-gloss paper. Many of the uncoated pages are uncut - two pictures printed on the same page and then folded over at the top. You can lift up the bottom outer corner of the uncut pages. Inside there are poems or more pictures, most in black and white.
There are maybe 25 poems - none more than two dozen lines more or less - by Maria Barnas. I assume they were written in English, as no translator is credited. However, her Wikipedia bibliography only shows publications in Dutch. The poems are 'about' shadows or shadowing - being haunted, or followed or perhaps mocked. The feeling of unease and uncertainty.
The pictures are perhaps more cryptic. I find I dislike the ones on uncoated paper, which seem undersaturated and hard to make out. Annoying and mocking in a strange way. The semi-gloss prints are more sensual and a relief. Towards the end, there is a full page semi-gloss print of a yellow bucket hanging on a rope over an old tire lying on the ground, improbable in its beauty.
There are many pictures of people, their faces are turned away. You can't see their eyes.
Quite a remarkable achievement, this book.
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