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During the nineteenth century, nearly one hundred symphonies were written by over fifty composers living in the United States. With few exceptions, this repertoire is virtually forgotten today. In Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise, author Douglas W. Shadle explores the stunning stylistic diversity of this substantial repertoire and uncovers why it failed to enter the musical mainstream.
Throughout the century, Americans longed for a distinct national musical identity. As the most prestigious of all instrumental genres, the symphony proved to be a potent vehicle in this project as composers found inspiration for their works in a dazzling array of subjects, including Niagara Falls, Hiawatha, and Western pioneers. With a wealth of musical sources at his disposal, including never-before-examined manuscripts, Shadle reveals how each component of the symphonic enterprise-from its composition, to its performance, to its immediate and continued reception by listeners and critics-contributed to competing visions of American identity.
Employing an innovative transnational historical framework, Shadle's narrative covers three continents and shows how the music of major European figures such as Beethoven, Schumann, Wagner, Liszt, Brahms, and Dvorák exerted significant influence over dialogues about the future of American musical culture. Shadle demonstrates that the perceived authority of these figures allowed snobby conductors, capricious critics, and even orchestral musicians themselves to thwart the efforts of American symphonists despite widespread public support of their music. Consequently, these works never entered the performing canons of American orchestras.
An engagingly written account of a largely unknown repertoire, Orchestrating the Nation shows how artistic and ideological debates from the nineteenth century continue to shape the culture of American orchestral music today.
- Sales Rank: #544818 in Books
- Published on: 2015-11-06
- Original language: English
- Number of items: 1
- Dimensions: 6.30" h x 1.10" w x 9.30" l, .0 pounds
- Binding: Hardcover
- 344 pages
Review
"Shadle's Orchestrating the Nation offers a remarkable account of North American symphonic composers in the nineteenth century. [...] Just as Richard Taruskin has challenged the hegemony of the German canon by foregrounding Eastern European artists, so Shadle sheds light on repertories composed in the United States before 1900, as well as on the struggles of native-born musicians to emulate and resist the overwhelming influence of Beethoven and Mendelssohn. A tour de force of scholarship and cultural analysis." -- Susan McClary, Professor of Music, Case Western Reserve University
"Douglas W. Shadle's book is a thorough and convincing survey of a completely neglected aspect of Americanist musicology: the composition of symphonies by nineteenth-century American composers. This is an invaluable and masterful piece of scholarship--a major contribution to our understanding of nineteenth-century music history." -- Katherine K. Preston, David and Margaret Bottoms Professor of Music, The College of William and Mary
"More than anything else, Orchestrating the Nation illuminates the origins and myriad strategies of the classical music world's eternal animus against American composers."--PostClassic
"Absorbing." --New Yorker
"Superb." --New York Times
"[Shadle] delves deeply into the forgotten history of symphonic composition by Americans born between 1777 and 1874...in his exhaustively researched text." -- Symphony Magazine
"By the 19th century, an impressive body of American symphonic works had emerged; however, it has been only briefly covered in standard course texts on American music...Filling this obvious void, Shadle (Vanderbilt Univ.) provides an excellent, painstakingly detailed study of those American works, including musical examples, structural-narrative analyses, illustrations, and photographs of composers. He investigates why more recent American composers chose to write symphonic works that would be subjected to German-influenced criticism, what made them believe it was an enterprise worth pursuing, and the creative impulses behind these works. An invaluable resource for those studying the history of American concert music...Highly recommended."--Choice
"Orchestrating the Nation contains much valuable new research. A broad spectrum of critical commentary, well beyond the reactionary Dwight, is presented, bringing into focus the competing agendas that emerged in the search for a national voice in music."--Gramophone
"Shadle...provides a string of interesting portraits of individual American composers...and the impassioned debate their works engendered."--BBC Music Magazine
About the Author
Douglas W. Shadle is currently Assistant Professor of Musicology at Vanderbilt University's Blair School of Music. He holds a Ph.D. in musicology from the University of North Carolina at Chapel Hill and is the winner of an ASCAP Deems Taylor/Virgil Thomson Award.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Important Neglected Education
By JoshuaRaffael
There has been very little written about American serious music and this book is all the more valuable for this topic. I recommend it for anyone remotely interested in this quite forgotten important subject.
1 of 1 people found the following review helpful.
Outstanding to the history of American music!
By Myron M. Miller
Outstanding book, dealing with the great strengths of American musicians in the 19th Century.
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