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On the centennial of his birth, the defining wunderkind of modern entertainment gets his due in a groundbreaking new biography of his early years—from his first forays in theater and radio to the inspiration and making of Citizen Kane.
In the history of American popular culture, there is no more dramatic story—no swifter or loftier ascent to the pinnacle of success and no more tragic downfall—than that of Orson Welles. In this magisterial biography, Patrick McGilligan brings young Orson into focus as never before. He chronicles Welles’s early life growing up in Wisconsin and Illinois as the son of an alcoholic industrialist and a radical suffragist and classical musician, and the magical early years of his career, including his marriage and affairs, his influential friendships, and his artistic collaborations.
The tales of his youthful achievements were so colorful and improbable that Welles, with his air of mischief, was often thought to have made them up. Now after years of intensive research, McGilligan sorts out fact from fiction and reveals untold, fully documented anecdotes of Welles’s first exploits and triumphs, from starring as a teenager on the Gate Theatre stage in Dublin and bullfighting in Sevilla, to his time in the New York theater and his fraught partnership with John Houseman in the Mercury Theatre, to his arrival in Hollywood and the making of Citizen Kane. Filled with intriguing new insights and startling revelations—including the surprising true origin and meaning of “Rosebud”—Young Orson is a fascinating look at the creative development and influences that shaped this legendary artistic genius.
- Sales Rank: #495496 in Books
- Published on: 2015-11-17
- Released on: 2015-11-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.97" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 832 pages
Review
“[Young Orson] takes the directorial hero from his birth to the threshold of ‘Citizen Kane.’ I’ve only just started it and can so far confess to fascination and pleasure; the wealth of detail and the measured tempo are up to the Shakespearean complexity of Welles’s character.” (New Yorker)
“McGilligan’s Orson is a Welles for a new generation. . . .McGilligan’s book vibrates with uncertainty and risk, and it hums with the possibility that talented people actually can realize their dreams in the forms they choose.” (BookForum)
“No one writes biographies of film legends like Patrick McGilligan. . . . It is a meticulous recreation of Welles’s life and achievement up to 1941.” (Daily Beast)
“Welles’s native brilliance and his ascent from producing plays as a boy at the Todd School to his conquest of New York theater and radio as an adult has seldom been documented with more clarity.” (Library Journal (starred review))
“To read this book is to be taken with just how much meaningful work [Welles] packed into his youth, and awestruck by the self-assurance with which he approached his burgeoning career. . . With McGilligan’s superb biography, we have the definitive portrait of Welles in his youth.” (San Francisco Chronicle Book Review)
“Engrossing . . . Exhaustively researched but well-paced and stuffed with beguiling detail, this is a vivid, sympathetic portrait of Welles’s youthful promise and achievement, before the misfires and compromises of his later years.” (Publishers Weekly)
“A richly detailed, often nuanced study of Welles’ life and work. It’s a welcome addition to the burgeoning shelf of books on one of America’s most distinctive talents. . . . Although Young Orson reads easily, it is powered by an evenhanded, almost scholarly rigor.” (Milwaukee Journal Sentinel)
“Must reading for anyone interested in the history of film.” (Mark Levine, Booklist (starred review))
“Exhaustively researched but well-paced and stuffed with beguiling detail, this is a vivid, sympathetic portrait of Welles’s youthful promise and achievement, before the misfires and compromises of his later years.” (Publishers Weekly)
“An indefatigable reporter and masterful biographer, McGilligan has unearthed endless revelations that will change our view of Welles’s. This book is a constant joy to read, showing that the truth about Welles’s upbringing and youthful artistic triumphs is even more remarkable than the legend.” (Joseph McBride, author of What Ever Happened to Orson Welles? and Searching for John Ford)
“No other biographer has done such a superb job of investigating Orson Welles’s Midwestern origins and dazzling early success. McGilligan convincingly refutes untruths and myths that others have accepted. This is by far the best book on the most formative period of Welles’s life.” (James Naremore, author of The Magic World of Orson Welles)
“A prodigious and illuminating account of the extraordinary life of Orson Welles up to when he turned from theater and radio to launch his fabled movie career. McGilligan blends valuable new reporting with insights from existing sources to draw a bold portrait of the master that can fairly be called definitive.” (George Stevens, Jr., producer and founder of the American Film Institute)
“In many ways,Young Orson is my favorite of all the Welles biographies to date. The overall portrait of Welles’s character and background that emerges, uncharacteristically sympathetic, is both dense and persuasive - and a page-turning pleasure to read.” (Jonathan Rosenbaum, author of Goodbye Cinema, Hello Cinephilia)
From the Back Cover
“A remarkable, eye-opening biography . . . McGilligan’s Orson is a Welles for a new generation, [a portrait] in tune with Patti Smith’s Just Kids.”—A. S. Hamrah, Bookforum
No American artist or entertainer has enjoyed a more dramatic rise than Orson Welles. At the age of sixteen, he charmed his way into a precocious acting debut in Dublin’s Gate Theatre. By nineteen, he had published a book on Shakespeare and toured the United States. At twenty, he directed a landmark all-black production of Macbeth in Harlem, and the following year masterminded the legendary WPA production of Marc Blitzstein’s agitprop musical The Cradle Will Rock. After founding the Mercury Theatre, he mounted a radio production of The War of the Worlds that made headlines internationally. Then, at twenty-four, Welles signed a Hollywood contract granting him unprecedented freedom as a writer, director, producer, and star—paving the way for the creation of Citizen Kane, considered by many to be the greatest film in history.
Drawing on years of deep research, acclaimed biographer Patrick McGilligan conjures the young man’s Wisconsin background with Dickensian richness and detail: his childhood as the second son of a troubled industrialist father and a musically gifted, politically active mother; his youthful immersion in theater, opera, and magic in nearby Chicago; his teenage sojourns through rural Ireland, Spain, and the Far East; and his emergence as a maverick theater artist. Sifting fact from legend, McGilligan unearths long-buried writings from Welles’s school years; delves into his relationships with mentors Dr. Maurice Bernstein, Roger Hill, and Thornton Wilder; explores his partnerships with producer John Houseman and actor Joseph Cotten; reveals the truth of his marriage to actress Virginia Nicolson and rumored affairs with actresses Dolores Del Rio and Geraldine Fitzgerald (including a suspect paternity claim); and traces the story of his troubled brother, Dick Welles, whose mysterious decline ran counter to Orson’s swift ascent. And, through it all, we watch in awe as this whirlwind of talent—hailed hopefully from boyhood as a “genius”—collects the raw material that he and his co-writer, the cantankerous Herman J. Mankiewicz, would mold into the story of Charles Foster Kane.
Filled with insight and revelation—including the surprising true origin and meaning of “Rosebud”—Young Orson is an eye-opening look at the arrival of a talent both monumental and misunderstood.
About the Author
Patrick McGilligan is the author of Alfred Hitchcock: A Life in Darkness and Light; Fritz Lang: The Nature of the Beast; and George Cukor: A Double Life; and books on the lives of directors Nicholas Ray, Robert Altman, and Oscar Micheaux, and actors James Cagney, Jack Nicholson, and Clint Eastwood. He also edited the acclaimed five-volume Backstory series of interviews with Hollywood screenwriters and (with Paul Buhle), the definitive Tender Comrades: A Backstory of the Hollywood Blacklist. He lives in Milwaukee, Wisconsin, not far from Kenosha, where Orson Welles was born.
Most helpful customer reviews
17 of 18 people found the following review helpful.
An absorbing, captivating and scholarly biography
By Bookreporter
The truly outstanding biography is far more than the story of one person. In the hands of a superb writer, the biography becomes the portrayal of a generation. In addition, readers learn how the subject of the biography was shaped and influenced by the times in which he or she lived. In applying that test, many great biographies come to mind, too many to list in this review.
But Patrick McGilligan’s new book is clearly a biography that merits inclusion on this exalted list. It offers insights and details into the early life of an American legend. 2015 marks the 100th anniversary of Orson Welles’ birth, as well as the 75th anniversary of the release of his masterpiece film, Citizen Kane. YOUNG ORSON is a biography commensurate with the greatness of its subject.
McGilligan brings substantial credentials to his latest effort. His previous subjects include Alfred Hitchcock, Fritz Lang, George Cukor, James Cagney, Jack Nicholson and Clint Eastwood. He lives in Milwaukee, Wisconsin, not far from Welles’ birthplace of Kenosha. YOUNG ORSON begins with an introduction of Welles’ parents, Richard and Beatrice. As a resident of Springfield, Illinois, I was interested to learn that Beatrice Ivy Welles grew up in my hometown, and her parents were acquainted with Abraham Lincoln. She was a talented woman who, after the death of her husband, played piano concerts at the Chicago Art Institute to support the family. She died at age 42, when Welles was nine years old.
Recognizing that YOUNG ORSON recounts merely 25 years of his life in its 747 pages, readers are not even introduced to Welles until around page 100. Fifty pages later, he is still in the seventh grade. Such attention to detail is reminiscent of Robert Caro’s biographies of Lyndon Johnson, and McGilligan’s superb writing keeps your attention through a very detailed accounting of Welles’ life.
While biographers sometimes are reluctant to use or attribute source material from earlier works, McGilligan is more than willing to mention and discuss previous Welles biographies. Based on his own exhaustive research, he takes great pains to provide fresh material that offers interesting insights into the genius that was Orson Welles. Although his parents died when he was very young, they both influenced his life. Welles was a complex man, mercurial in temperament, but so brilliant that most were willing to accept his eccentricities.
The accomplishments documented during the quarter-century detailed in YOUNG ORSON are amazing and would be a full lifetime of achievements for most people. As a teenager, Welles starred at the Gates Theater in Dublin. In his early 20s he directed an African-American cast of “Macbeth”in Harlem.With John Houseman he partnered in the Mercury Theater, leading to the iconic Halloween radio broadcast of “The War of the Worlds” that caused panic throughout the American east coast. And, of course, he traveled to Hollywood with almost unlimited authority and gave the world Citizen Kane, still viewed as one of the greatest movies ever. All of these events, along with many others, are recounted in superb detail, taking readers deep into Welles’ life.
YOUNG ORSON is an absorbing, captivating and scholarly biography. McGilligan captures a man who truly is an iconic figure in theater and cinema. Along the way, he vividly portrays life in Midwestern America in the first third of the 20th century and the years preceding World War II. In later years, the brilliant promise captured in YOUNG ORSON would often go unfulfilled, but the man chronicled on the pages of this outstanding biography left a list of triumphs that will live for generations to come.
Reviewed by Stuart Shiffman
7 of 7 people found the following review helpful.
Tackling life with bravery and courage, YOUNG ORSON is an inspiration
By Anthony J. Thorne
Welles fans will greatly enjoy this book. I have read four or five Orson Welles biographies over the past thirty years (and will be reading yet another in early 2016 when I start on ONE MAN BAND, the latest volume of Simon Callow's ongoing biography), but this book by Patrick McGilligan is one of the most sympathetic, moving and enjoyable depictions of Welles' early life that you will encounter. McGilligan has dug up a lot of thought-provoking new material, and he offers a rich portrait that made me want to rewatch all my favourite Welles movies and immerse myself in the artistic world of this inspirational figure yet again. As a lifelong Welles fan I would also now like to respectfully pay tribute to his mentor from the Todd School for Boys, Roger Hill. McGilligan makes it clear in YOUNG ORSON that Hill played a massively encouraging role through Orson's formative years (and beyond) in helping the young artist pursue his dreams. The friendship between the two is documented in Todd Tarbox's ORSON WELLES AND ROGER HILL: A FRIENDSHIP IN THREE ACTS, and I will be reading that volume shortly. Highly recommended.
3 of 3 people found the following review helpful.
A biography that matches its subject.
By o.h. lee
I have read many biographies of Mr. Welles and, despite the circumscribed time on which McGilligan has focused his story, this is the single best volume I've encountered. Despite the amount of detail, I never felt the writer fell victim to his research; it's an awfully enjoyable ride. I had the great experience of working with Welles during a brief, but fascinating time in the 70's, and so got to know him a bit. The Welles in his 60's is so clearly recognizable in this study. I only wish it had been McGilligan who had undertaken the 4 volume biography and/or the recent book about Welles's last film.
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