Senin, 07 Desember 2015

^^ Ebook Download Easygoing Large Print CrosswordsFrom Puzzlewright

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Easygoing Large Print CrosswordsFrom Puzzlewright

This follow-up to Large Print Easy Monday Crosswords and Large Print Easy Monday Crosswords #2 ups the challenge just enough to keep it fun while still offering a gentle mental workout. Every one of these 125 crosswords are Tuesday level, and feature interesting clues filled with fun trivia and wordplay.

  • Sales Rank: #212524 in Books
  • Published on: 2015-11-03
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .90" w x 8.70" l, 1.75 pounds
  • Binding: Spiral-bound
  • 288 pages

About the Author
Peter Gordon is the Editorial Director for Sterling Publishing's Puzzlewright Press, overseeing the puzzle and game books, and was the crossword editor of the New York Sun. He edited a weekly crossword for the Washington Post and has an online crossword at FireballCrosswords.com. The 50+ books written and edited by Gordon have combined sales of more than a million copies.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Easier than most
By JKom
I have a lot of "easy" crosswords but sometimes I get pretty frustrated with the individual puzzles that have a high number of esoteric questions. So I switch back and forth between several and this one was by far the easiest for me - almost too easy. But that was a relief I enjoyed as an occasional break from the 'easy' puzzles that ask questions like "Nation Once Known As Dahomey" and "1915 Literature Nobelist" - LOL!

Like many crossword puzzles it is mostly aimed at Boomer-age trivia. Very suitable as a beginner/trial to see if you will enjoy doing crosswords or not. Gordon's books are also a nice large format, both questions and puzzle grid.

2 of 2 people found the following review helpful.
Five Stars
By Nathan Mc
Perfect Christmas present

2 of 2 people found the following review helpful.
Good value
By SamStevens
Exactly as described.

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Minggu, 06 Desember 2015

# PDF Download Wizard Game Basics 101: The Ultimate Beginner's Guide to the Spiral, by Leigh Gaitskill

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A guide to Wizard 101 for levels 1-40. How to maximize gardening, work with pets, use your spell book, etc. Based on extensive research and many hours of play with wizards from every school, this is the only comprehensive guide focused solely on the lower levels of the game. Much advice out there is for wizards above level 60 and doesn't apply for wizards below that. For people who haven't been into gaming, you can find explanations for all the basics here. Enhance your game experience and learn how to set yourself up from the beginning to excel. Newly edited revised version in November 2015 adds info from updates to the game and expands on some material.

  • Sales Rank: #3250208 in Books
  • Published on: 2015-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .45" w x 6.00" l, .60 pounds
  • Binding: Paperback
  • 198 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Great guide!!
By Marky(honolulu,Hawaii)
This was the most exeptional guide I've read on wizard101 EVER.Very detailed and up to date, any wizard01 fan should get this legit guide for wizard101. 5 solid stars!!

1 of 1 people found the following review helpful.
master and novice wizards alike should own this.
By AMF7033
this guide covers evrything from basic dueling to advanced gardening to minons 101. every low and intermediate wizard should buy. the most comprehensive guide to wizard 101 that I have ever found.

1 of 1 people found the following review helpful.
Leigh seems to talk about his opinions and exalted people more than other wizards. On the game, I am a level 40 conjurer and the
By Kindle Customer
I accidentally said my opinion in the summary section .
Sorry.
They say I need to make this longer.
So I added these useless sentences.

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C# Programming UPDATED FOR .NET FRAMEWORK 4.5 AND VISUAL STUDIO 2013(BECOME AN EXPERT Book 2) This book explores C# programming using Microsoft Visual studio 2013 and the “.NetFramework” version 4.5. It begins by explaining what C# is and how it is related to the “.Net Framework”. The book then explores how to set up the environment ready for programming and how this involves downloading and installing both the “Microsoft Visual Studio 2013” and “.Net Framework 4.5”. The structure of programs in C# is then discussed. From this chapter, you will get to know the syntax taken by a C# program and the elements which must be present for it to function effectively. The data types supported in C# have been discussed in detail along with how to declare the various types of data in C# and type conversion in C#, which is also known as “Type Casting” has been discussed. You will get to know what it is and how to perform it for the various types of data in C#. After reading this book, you will know how declaration of variables of different types is done in C#. Decision making statements are explored in detail and, thus, you will be able to write programs in C# with the ability to make decisions. Loops are covered in the text and you will be in a position to nest loops in C# as well as the art of “encapsulation” in C#, with no detail being left out. The book will also guide you on how to declare methods and classes in C#. The following topics have been explored: Definition Setting up the Environment Structure of the program C# Data Types Type Conversion in C# Variables in C# Decision Making in C# Loops in C# Encapsulation in C# Methods in C# Classes in C# Download your copy of " C# Programming " by scrolling up and clicking "Buy Now With 1-Click" button.

  • Sales Rank: #2585977 in Books
  • Published on: 2015-11-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .24" w x 6.00" l, .37 pounds
  • Binding: Paperback
  • 106 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
An excellent start!
By Xilene
I was really amazed by this book, I'm no expert at all in Programming, this is actually my first book about it and I thought I was going to be completely confused with all the code lines and everything but I wasn't the book has a very effective and easy way of teaching all the basics about programming and I understood easily all the examples in every page. I recommend it for beginners and people who want to remember some basics things.

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Programming for everyone.
By Davy Crockett
Another book by a very good author Daniel Perkins, the creativity that I 've been at this time was a continuation of Visual Studio programming course that is just me and became very necessary in recent times, when I set out to develop their own portal. The book contains examples and specific procedures, which greatly facilitates not only understanding, but also training, in principle, for which a special thanks to the author.

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One definitive resource!
By Bridget High
Started with a thorough discussion of the basics of C#, that’s why I decided to finish reading the book. It’s not filled with craps unlike the previous one I got. The presentation of concepts is clear and precise. Got engrossed learning the if statements. Had completed mastering this book after the 4th day.

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Kamis, 03 Desember 2015

^ Ebook Revelation and the Politics of Apocalyptic InterpretationFrom Baylor University Press

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John's apocalyptic revelation tends to be read either as an esoteric mystery or a breathless blueprint for the future. Missing, though, is how Revelation is the most visually stunning and politically salient text in the canon. Revelation and the Politics of Apocalyptic Interpretation explores the ways in which Revelation, when read as the last book in the Christian Bible, is in actuality a crafted and contentious word. Senior scholars, including N.T. Wright, Richard Hays, Marianne Meye Thompson, and Stefan Alkier, reveal the intricate intertextual interplay between this apocalyptically charged book, its resonances with the Old Testament, and its political implications. In so doing, the authors show how the church today can read Revelation as both promise and critique.

  • Sales Rank: #927587 in Books
  • Published on: 2015-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .55" w x 5.98" l, .79 pounds
  • Binding: Paperback
  • 239 pages

Review
"A splendid collection. This volume will help both the seasoned and the skittish interpret Revelation within its canonical context, and thereby move the academy and the church within hearing distance of apocalyptic texts in the gospels and epistles."―Eugene Boring, I. Wylie Briscoe Professor of New Testament, Emeritus, Brite Divinity School, Texas Christian University

"For many Revelation has effectively been decanonized―mostly little read and even less understood. This fine collection ventures into intertextual, canonical, theological, and political readings of the book that advance theological reflection on the significance of Revelation for today."―Joel B. Green, Professor of New Testament Interpretation & Associate Dean for the Center for Advanced Theological Studies, Fuller Theological Seminary

"The contributors present a compelling case that there are real political implications in the interpretation and identification of the main message of the Apocalypse."―Ched Spellman, Southwestern Baptist Theological Seminary, Journal of the Evangelical Theological Society

"This volume makes a significant contribution to the scholarly literature on Revelationfull of rich and challenging insights which deserve careful reflection."―Ian Boxall, Catholic University of America, Modern Believing

"... offers a stimulating and constructive engagement with the Apocalypse."―Grant Macaskill, Journal for the Study of the New Testament

"[L]iberally spiced with insights.... [The authors] do a commendable job of striking a balance between the impact of this book on its original recipients and on its modern ones.... Highly recommended."―Choice

About the Author
Richard B. Hays is George Washington Ivey Professor of New Testament at Duke Divinity School. He lives near Durham, North Carolina. His publications include Reading the Bible Intertextually (edited with Stefan Alkier and Leroy A. Huizenga, 2009) and Reading Backwards (2014).

Stefan Alkier is Professor for New Testament and History of the Early Church at Fachbereich Evangelische Theologie, Johann Wolfgang Goethe-Universität, Frankfurt am Main, Germany.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Thought-Provoking Collection of Essays (Major Themes: "Politics," Canon, and Intertextuality)
By Ched Spellman
G. K. Chesterton once wrote, “Though St John the Evangelist saw many strange monsters in his vision he saw no creature so wild as one of his own commentators” (Orthodoxy [New York: John Lang, 1908], p. 19). Chesterton’s commentary on commentators highlights the wide-ranging ways in which the book of Revelation can be read. The contributors to this volume recognize the staggering interpretive spectrum that the last book of the Bible typically generates and seek to provide a framework for navigating this apocalyptic terrain.

These nine essays were first presented at a conference held at Duke University in 2010. Editors Richard B. Hays of Duke Divinity School and Stefan Alkier of Johann Wolfgang Goethe-Universität decided to publish the essays in the order they were originally presented. After the introduction, Michael J. Gorman discusses the reception history (or “impact history”) of the book of Revelation. Gorman explains that the reception/impact history of a text takes into account “a broader range of responses and effects—in and upon music and other arts, politics, liturgy, Christian practices, and so on, as well as on theology” (p. 13).

This line of inquiry is especially appropriate for studying Revelation, as this work “has given rise to a wonderful, if sometimes bizarre, story of reception and impact” (p. 16). The “incredible multivalence” of interpretive responses to Revelation flows from the book’s symbolism, hybrid of genre characteristics, highly intertextual character, its “symbiosis of otherworldly and this-worldly phenomena,” and its position and function in the canon (pp. 18-20). The presence of these factors within the scope of one composition, Gorman observes, “creates a perfect storm for polyvalence” (p. 20).

In the next essay, Steve Moyise investigates various “models for intertextual interpretation of Revelation” (pp. 31-45). In intertextual theory, “texts are not viewed as isolated units of meaning but are interpreted in the light of other texts (canon) and traditions (‘rule of faith,’ creeds)” (p. 31). Moyise delineates the major options for understanding John’s use of other biblical texts. Some interpretations focus on the author’s intertexts (e.g., Gen 1-3, Dan 7) while others focus on the reader’s intertexts (e.g., apocryphal writings or canonical texts John does not draw upon). Moyise surveys the work of scholars across this spectrum and highlights the echoes of intertextuality they have uncovered. He concludes by affirming the value of “naming the intertexts and the weight that is being accorded to them” (p. 45). This methodological transparency, Moyise contends, will help readers sift through the sometimes wildly divergent readings of the Apocalypse.

The essays that follow investigate specific aspects of John’s compositional strategy. Thomas Hieke examines the importance and reception of Daniel 7 throughout the book. Richard Hays lays out the intertextual matrix by which John characterizes Jesus as the “faithful witness” and the “Alpha and Omega.” Through intertextual narration, Hays highlights, John paradoxically portrays Jesus as one who shares in the divine identity yet still suffers to create a redeemed community of worshipers. Joseph Mangina highlights the role of the ekklesia in the Apocalypse and examines the mysterious relationship between Israel and the church as the one people of God.

With a slight shift of emphasis, N. T. Wright outlines the present political implications that John’s Revelation has for the notion of Christian hope. For Wright, John’s message is that “the coming of God’s kingdom on earth as in heaven” has “already been inaugurated through the victory of the sacrificed Lamb who is also the Lion” (p. 106). In a similar vein, Stefan Alkier seeks to explain how Revelation “can help Christians live their political lives” (p. 125). Alkier’s thesis is that “Revelation’s pragmatic model of Zeugenschaft (witness) could be a political model for Christian life today” (p. 127). In short, Alkier avers that the Apocalypse encourages its readers to remain witnesses rather than warriors (p. 127ff.).

Tobias Nicklas follows these essays by considering the Apocalypse within the “framework of an already existing canon” (p. 143). Nicklas asks, “What is the import of Revelation’s voice in the ‘choir’ of voices we hear in the canon of the Christian Bible? What would be missing if the Apocalypse did not stand at the end of the canon of Old and New Testaments?” (p. 143). The Apocalypse, argues Nicklas, provides a distinctive tenor to the New Testament’s witness to God’s action in the world, the church’s role in society, the relationship between the Testaments, and God’s faithful yet mysterious relationship with his people. In sum, “the Christian Bible would lose a decisive dimension without Revelation” (p. 151).

Marianne Meye Thompson concludes the volume with a series of reflections on the “theological interpretation of the book of Revelation today” (p. 155). For her, “What we are interested in is interpretation of certain kinds of texts, namely, theologically interested texts” (p. 159). More specifically, she considers “how we might allow the book of Revelation itself to shape our understanding of theological interpretation” (p. 161). Readers of the book are “not only to see what John sees or to hear what he heard, but also to see as John sees, and to hear as John hears” (p. 164). Thompson argues that “John calls not for sight but for insight, not just for hearing but for understanding” (p. 164). For Thompson, this understanding can take place when readers view the book as a word addressed to them, as a message designed to renew their minds, to invoke their worship, and to be read within the context of the canon.

The dialogue in these presentations demonstrates the eclectic array of interpretations that the book of Revelation is capable of provoking. Assembled here are textual, theological, historical, and ideological/political insights, and most of the contributions have a mix of these elements. There are also valuable introductions to the disciplines of reception history (pp. 13-16), intertextuality (pp. 31-33, 138-40), and theological interpretation (pp. 158-61). Further, the first two essays provide a helpful hermeneutical orientation to the various issues raised in the subsequent discussions.

Within this broad diversity, Hays and Alkier argue that the essays “embody a significant convergence of perspective” that shares “an appreciation for the symbolic and ‘theopoetic’ power and complexity of the Apocalypse, a resistance to narrowly literalistic predictive readings, a disposition to read the text as calling followers of Jesus to nonviolent resistance of secular power, and a deep engagement with the Christocentric message of the book” (p. 9). While each analysis maintains its distinctive features, these interdisciplinary essays do bear this methodological family resemblance.

The volume as a whole is thus a substantive example of the reception history of Revelation that it seeks to describe. The contributors present a compelling case that there are real political implications in the interpretation and identification of the main message of the Apocalypse (pp. 1-2, 8-9). For instance, Gorman characterizes Revelation as “a theopolitical text” (p. 27). This is true, he says, “because the heart of Revelation is worship, and worship is a theopolitical practice” (p. 27). However, the book lacks a direct interaction with the method and nature of ideological or political interpretation. The essays demonstrate that the Apocalypse has political implications but some readers might have lingering questions about the nature of political interpretation.

Though the contributors are typically mild in their ideological assertions, the futurist perspective, historical criticism, and American foreign policy do receive a consistently negative characterization (e.g., pp. 2-3, 94, 118-19, 123, 127, 156-57, 164). However, on the whole, these sections are muted and do not dominate the discussions like they might have. Given the prominence of the topic in the title and introduction, a brief outline of the basic tenets of ideological interpretation in one of the essays might have strengthened the volume. Accordingly, perhaps a more accurate title for this work would have been “Revelation and the Intertextual Interpretation of the Apocalypse.”

Indeed, discussion of the intertextual references woven into the fabric of John’s composition and the question of their canonical function is more prominent than the title suggests. Even the two overtly political essays draw extensively on intertextual connections to make their point. More specifically, in this volume there is an assumed connection between the study of intertextuality and the question of canon. Hays and Alkier note that “to ask about the role of the book of Revelation within the canon, we must consider not only how the author may have been influenced by his sources and precursors; we must also consider literary issues about the interplay of images, and we must assess the theological impact of the juxtaposition of diverse ways of conceptualizing God’s action in history” (p. 3).

They are convinced that “in order to understand the Apocalypse well, we need to understand the complex way in which the author is reading these books and employing their ideas and images” (p. 5). This textual emphasis on the connective nature and canonical function of John’s compositional work is a welcome feature of a substantive and thought-provoking collection of essays.

5 of 9 people found the following review helpful.
This is a must read for pastors and laymen alike
By C. P. Immanuel
This book is a "must read" book for pastors and laymen. It is unfortunate that most churches have relinquished preaching and teaching of this book of the New Testament Canon to popular preachers with speculative theologies. The book helped me understand the importance of understanding the text in the context of God's story of creation, salvation as well as the end of the story of a new creation.... all by the suffering of the slaughtered lamb. Reading this with Darrell Johnson's "Discipleship on the Edge", GK Beale's Commentary, and "The triump of the Lamb". Dr. Effird's Breaking the Code is also excellent. Yes, even as a layman, these books are encouraging to live life in obedience and in the knowledge that God is on the throne, working out His purposes. We may not understand them, but we can rest knowing that the God is ruling His creation and is in control.

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Rabu, 02 Desember 2015

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Pilot Training Manual for the Mitchell Bomber B-25, by Headquarters, AAF, Office of Flying Safety

From the Foreword:
"This manual is the text for your training as a B-25 pilot and airplane commander. The Air Forces' most experienced training and supervisory personnel have collaborated to make it a complete exposition of what your pilot duties are, how each will be performed, and why it must be performed in the manner prescribed. The techniques and procedures described in this book are standard and mandatory. In this respect the manual serves the dual purpose of a training checklist and working handbook. Use it to make sure that you learn everything described herein. Use it to study and review the essential facts concerning everything taught. Such additional self-study and review will not only advance your training, but will alleviate the burden of your already overburdened instructors. This training manual does not replace the Technical Orders for the airplane, which will always be your primary source of information concerning the B-25 so long as you fly it. This is essentially the textbook of the B-25. Used properly, it will enable you to utilize the pertinent Technical Orders to even greater advantage."

  • Sales Rank: #711544 in Books
  • Published on: 2015-11-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .39" w x 6.00" l, .52 pounds
  • Binding: Paperback
  • 172 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Jason W.
A+++

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Selasa, 01 Desember 2015

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*** Recently updated with 30% more content, new links, and guest essays by bestseller authors ***

Ever wish you could peer into the brain of a published author and learn what tips he’s absorbed over the years? How did he get where he is? How many times did he submit manuscripts before he sold his books?

Or maybe you’d like to delve into the psychology of writing, and learn what motivates him. How does he balance life with writing? How can regular tweeting help?

In volume 1 of Write Like the Wind, Lazar offers advice on “forbidden words”, “hooking your reader”, and “writing like you talk.” These hard skills are complemented by recommendations for promotion, such as “writing reviews to build your platform” and step-by-step instructions on how to prepare for a radio show.

Join award-winning mystery author Aaron Paul Lazar as he shares the cream of the crop from seven years of writing blogs in this fresh and unique offering of advice for fellow scribes.

  • Sales Rank: #1143539 in eBooks
  • Published on: 2015-11-20
  • Released on: 2015-11-20
  • Format: Kindle eBook

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3 of 3 people found the following review helpful.
Easy enjoyable read
By Future Author
Easy read. Interesting topics. Great advice for aspiring writers. Motivating topics. Helps newbies realize that they are not alone in their trials and tribulations.

2 of 2 people found the following review helpful.
Motivational and inspiring!
By Amazon Customer
From best-selling mystery author Aaron Paul Lazar comes this light, enjoyable read full of advice and inspirational tidbits for writers, both old and new. I read the whole book in one sitting and my only regret is that it wasn't longer. The author's warm, friendly voice comes through on every page. I especially liked the chapter on motivation and on how to balance life with writing. I certainly look forward to reading the second installment.

2 of 2 people found the following review helpful.
Good, sound ideas and information
By Fairlight Reader
Aaron Lazar is such a good writer, I wanted to see how he does it. He mixes his personal story and his own trials and errors with solid advice for writing, making it much more interesting to read than a simple how-to book. His style is conversational and fits well with his philosophy, which extends to his life as well as his books. His output is amazing to me, but I hope he keeps the books coming. I'm looking forward to more of his novels.

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The Hobbit: The Art of War: The Battle of the Five Armies: Chronicles, by Weta

Presented by Academy Award-winning director Sir Peter Jackson, the ultimate insider’s look at the conflicts and battles waged in The Hobbit movie trilogy: how they were devised, composed, designed, staged and more.

Smaug’s fiery attack on Lake-town, the White Council’s raid of Dol Guldur, the ferocious Battle of the Five Armies itself—all of the conflicts waged in The Hobbit motion picture trilogy are examined in exquisite detail from the first skirmish to the ultimate conflagration in the trilogy’s dramatic conclusion.

The Hobbit: The Art of War brings together all of the special effects imagery in the Weta archives and unprecedented access to Sir Peter Jackson—the genius behind some of the world’s biggest motion-picture franchises, The Lord of the Rings and The Hobbit—who shares his expertise and encyclopedic knowledge with fans as never before.

The Hobbit: The Art of War takes fans inside this creative visionary’s mind and gives them an understanding of how he plotted each and every movement captured on film. Jackson offers in-depth discussions of the strategies of each army, the tactics they employed, and the significance of each collision between rival cultures. The cast members from the three films also share personal stories of how their characters’ tales are resolved.

Meet the armies of digitally generated creatures these heroes must overcome, delve into the world of Weta Digital and the Motion Capture Studio. Discover how the largely digital battles were achieved, from the design and creation of the battles’ creatures and the fight choreography, to the extended environments and visual effects necessary to make Tolkien’s world vividly real. The Hobbit: The Art of War is packed with lavish galleries showcasing the costumes, armor, weapons, and props integral to the battles, as well as the stories behind their creation.

With never-before-heard behind-the-scenes, on-the-set, and in-the-studio stories, and exclusive detailed content, The Hobbit: The Art of War is the ultimate Hobbit fan’s encyclopedia and a must have for all aficionados of the craft of filmmaking.

  • Sales Rank: #190102 in Books
  • Published on: 2015-11-03
  • Released on: 2015-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x .93" w x 12.28" l, 3.50 pounds
  • Binding: Hardcover
  • 240 pages

Review

Praise for the Weta Chronicles:
‘This beautifully presented book… is a lovely treat for fans’ The Sun

‘Whatever your thoughts on [the film] there’s no denying the attention to detail invested by Weta Workshop… and the amazing images on display in new book The Hobbit: An Unexpected Journey – Chronicles” SciFi Now

About the Author

Weta Workshop is a multi-award winning conceptual design and physical manufacturing facility based out of Wellington, New Zealand, servicing the world's entertainment and wider creative industries. Weta Workshop is also a multi-disciplinary facility, with crew members expert in a diverse range of disciplines all housed under the one roof. These services include conceptual design and the manufacturing of weapons, armor and chainmail, specialist props, custom vehicles, specialty costumes, miniatures and models, special makeup and prosthetics, and public art installations or displays. The team at Weta enjoys engaging in projects holistically, from preliminary technical analysis and conceptual design through to manufacture across all departments and the final delivery of product and crew to set, anywhere in the world. Drawing on more than twenty years of filmmaking experience, five-time Oscar-winning design and special effects supervisor Richard Taylor is intimately involved in all projects from concept through to delivery. Best known for the company's design and effects work on award-winning film projects, including The Lord of the Rings trilogy, King Kong, The Chronicles of Narnia, Avatar, District 9, and The Adventures of Tintin, Weta Workshop is not limited to film and television, offering services to creative industries worldwide

Most helpful customer reviews

14 of 15 people found the following review helpful.
The Hobbit: The Art of War
By JMM
[[VIDEOID:1feb0bb4715a4dae62e1f41d9a87a1f0]]Weta is an amazing company that does most of the design work on the "Hobbit" films. They do everything from practical effects (prosthetics and miniatures) to digital effects (CGI simulations and character animation). It's important to note that the people that work on these films are not only master technicians, but they are very creative artists as well.

"The Art of War" is the final book in the Chronicles of the Hobbit trilogy. It contains art and designs from the final Hobbit film, "The Battle of the Five Armies". In particular, the focus is on the big battle that is the centerpiece of the movie - the characters and creatures involved; their weapons and armor; as well as discussions about fighting styles and battle formations.

But it's not all about the battle: also included are several pages on Smaug's attack on Lake Town; as well as Bilbo's return to the Shire. As has been the case with all of these books, "The Art of War" is sure to cover every key item within the film - the Arkenstone, the black arrow, the white gems of Lasgalin, etc. Plus there are close-up pictures of the costumes of every major character in the film; as well as details on the armor of each army (the dwarves, the elves, the orcs).

At the end of the book, there is a nice bonus: a fold-out battle map of the Siege of Erebor.

Overall, this Hobbit Chronicles series is one of the greatest collections of books on my shelf. I'm happy to have them, and for those who love Middle Earth they are a must-own. Congrats to author Daniel Falconer and Harper Design for publishing such a fantastic collection.

3 of 3 people found the following review helpful.
Beautiful Book
By Sherry Mc
I fell in love with The Hobbit movies and especially the character Thranduil so when I saw this book I decided to buy it and read about the behind the scenes on the last movie.

This is an impressive book. Lovely photos of the costumes, armory, and behind the scenes. What I really like are the actors talking about their characters and how they collaborated at times with the costume department and Weta workshop who did the armory and other special props. There is also input from Art Department, Costume Department and Weta Workshop as they explain how they made decisions on the costumes and props.

Beautiful embossed cover that makes this a great coffee table book and conversation piece.

In the back of the book is a fold out map of the Siege of Erebor . Some art drawings are in the book too.

I was so impressed I've started buying all the books in this series.

7 of 9 people found the following review helpful.
Order pizza and sit back.
By B. Stringfield
Been collecting each of these Chronicles as they've become available, and, to be honest, I wasn't certain what my reaction would be to this one while awaiting it's publication. It's probably one of my favorites in the collection of books that Weta has lovingly put together. The third HOBBIT film has a lot going on, and the 250 or so pages here are just chock full of details. It reminded me a bit of the WEAPONS AND WARFARE volume for the LORD OF THE RINGS films with the emphasis on armor and weapons, but, it's very well balanced in other respects. Costumes, creatures, commentary from those involved in the production, lots of photographs and art. I was surprised by the visual details - wouldn't have minded a book twice as tall, even, just to properly take in the workmanship on the costume construction - perhaps one day Weta can tackle a costume book specifically ala STAR WARS: DRESSING THE GALAXY. Overall, paging through this volume is just chewy as heck. As someone who very much enjoys getting a look behind-the-scenes of movie-making, I'd like to commend the designers of this book for shoehorning so much material between the cover. It's a comprehensive effort and carefully laid out.

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